Writer, script analyst and script developer: features, original pilots, series treatments and bibles.
Original series
Short films, written and directed
Ainhoa has had a vivid imagination from a young age and took to writing early on. After her
degree in journalism, she discovered screenwriting during a course in New York and found her
calling. She has been honing the craft ever since, eventually working with a Script Angel
coach to bring her skills up to a professional level.
In 2022 she wrote and produced her first play, Inside Lorena, a comedy staged at
the Bread and Roses Theatre in London, and played the lead. Her
training as an actor has shaped not only how she writes dialogue, but how deeply she
understands a character's wants and needs. Since 2026 she has also written and directed short
films made entirely with AI, work that forces a story down to its essence.
Ainhoa takes her inspiration from the unknown. She is drawn to the edges of our
understanding: how far altered states of the mind can take us, what the numbness of modern
life is doing to us, and what comes after we pass.
script development
She builds worlds by working out why things are the way they are, so that they hold
together on the page and on screen.
From there, she builds outward. Characters are shaped from the inside, with their desires,
fears and contradictions driving the choices they make. Their arcs grow naturally from those
choices: what they think they want pulling against what they actually need, while the story
puts increasing pressure on them.
When developing a series, she looks at both the individual episode and the story as a
whole. Whether a series is driven by a continuing narrative or by more self-contained
episodes, she looks at how each instalment contributes to the larger shape of the story, how
the pieces connect, and whether the momentum is sustained as the series unfolds.
And throughout the process, she looks for the places where a story stops feeling true: the
unexplained choice, the moment that doesn't quite earn what comes next. Those gaps are often
where a script loses its grip, and finding the right fix before moving on is part of her
craft.
She aims to make a story feel inevitable, so that every turn feels earned and there is
never any question of why the characters do what they do.
Background
2026Writer and director of award-winning short films such as Toys and Young as the Stars, among others, all AI
2022Inside Lorena, a comedy: written and produced, staged at the Bread and Roses Theatre, London
2021 – 2022One-to-one screenwriter development with a Script Angel coach, on Beyond Protocol
2017 – 2018The Working Woman Report, New York: writer and editor
2016 – 2018Business of Football documentary for Sky Sports: research, final script and production
2012 – 2016Script reader (coverage), Aved Productions, Barcelona
2011 · courseScreenwriting, Gotham Writers Workshop, New York
2011 · courseFiction writing, Gotham Writers Workshop, New York
EducationBA Journalism, Middlesex University, London
LanguagesEnglish, Spanish, French
reading room
The first pages of Beyond Protocol and Easterland, and a series
overview for each, are in a password-protected reading room. Full scripts, treatments and
episode breakdowns go out by email to named readers.
As Earth becomes more inhospitable in the 22nd century, rival sisters, Jay and
Helena, together with a team of scientists on Mars tasked with making the planet inhabitable,
push the boundaries between science, sanity and psychedelics.
Way past the point of no return, climate change on Earth has turned the focus on resource
management. Northerly cities encapsulated in shields endure recurring and intensifying storms.
The less fortunate ‘Drylanders’ in the South have made the mountains their home and fight for
their right to a decent living.
The Mars project is under pressure to deliver inhabitable environments and Helena will use
any means necessary, including concealed hallucinogenics, to boost her team’s productivity.
When this backfires, her estranged sister Jay comes to the rescue, and will question not only
her methods but also her authority.
Fire storms, crashing drones, martian lava tubes and mind-bending kaleidoscopic dreams are
the backdrop of this ‘means to an end’ debate on the quest for humanity’s survival.
EXT. MARS MOUNTAIN RANGE - DAY
The sound of a shamanic chant plays in the distance. A path of footsteps cuts through red sand towards the edge of a dry pool. Beyond it, the mouth of a cave. The patterns on the sand shift and glide at every drumbeat.
PIETROV, a skinny man in his late 30s, wearing a sleek t-shirt and trainers, begins to walk across it, sinking further at every step. With sand up to his ankles his breathing accelerates.
HELENA (V.O.)
(voice via a transmitter)
What are you doing? There's no
liquid water on the surface. Focus,
get to the cave.
Pietrov tries to push forward but can't move his legs.
PIETROV
I can't, I'm sinking!
HELENA (V.O.)
You're not. No such thing as
quicksand on the surface of Mars.
You've got solid ground under your
feet, picture it, push yourself up.
Pietrov is in waist deep and plunging fast.
PIETROV
It's not working!
HELENA (V.O.)
Focus! You can't possibly sink in
quicksand, you know this. Take
control Pietrov!
Pietrov's chin is touching the sand.
PIETROV
I can't.
Pietrov goes under.
HELENA (V.O.)
Pietrov, Pietrov, respond! Pietrov.
Adult animated series · 6 × 15 minutes · in development · trailer 1:13
In Easterland, the forgotten birthplace of Easter tradition, Bunny Supreme,
the last true believer in his community of rabbit-human hybrids, strikes a forbidden deal to
bring his sugar-addicted people back from the brink. But first he must do the impossible:
inspire a broken community to find the courage to change.
Nestled in a deep ravine in the ancient forests of northern Germany, Easterland was once the
birthplace of Easter itself, a community whose hand-painted eggs reached every corner of the
world. Then the Board of Easter Standards abandoned craft for mass production. Discarded
industrial sugar eggs now rain down into the ravine like bombs, and the sugar they leave
behind has made addicts of almost everyone still living there. A darkly comic, emotionally
grounded series about what happens to a community after industry leaves and addiction moves
in.
INT. KITCHEN - MORNING
A kitchen carved into the ground, walls of packed earth, warm and unexpectedly homely. Morning light spills through a ceiling skylight, pooling across the breakfast table. ERIKA, blonde-haired and methodical, grabs a coffee. FREDRIK, her scruffier twin, settles into his chair and digs into a bowl of cereal.
BUNNY SUPREME strides in, briefcase in hand, crisp suit perfectly fitted, ready for coffee.
BUNNY SUPREME
Morning gang!
FREDRIK
Woohoo! Looking good sir.
BUNNY SUPREME
(chuckles)
It's the big day, gotta look the
part!
ERIKA
You've got this, sir. It's a win-
win, they have to say yes.
BUNNY SUPREME
(nervous)
Well... but what if they don't.
What then?
The door slams open. LILY bursts in, golden-haired, hands on her knees, gasping.
LILY
Mildred is gone! I've looked
everywhere, the coop, the barn, the
field...
The room goes still. Bunny Supreme sets down his coffee.
BUNNY SUPREME
(untying his blazer)
She's probably wandered into town.
I can get her before/
ERIKA
(interrupting)
We'll find her sir, you go. We've
been waiting for this meeting.
BUNNY SUPREME
(considering)
Stay together, keep your ears
peeled and... watch out for that
rain.
Feature film · ensemble drama · script in progress
A group of women at the top of their fields hatch a plan to remove the head of
the European Commission. What begins as a well-intentioned plot pits them against
everything they thought they believed.
Status Script in progress. Story and characters are
worked out; the screenplay is being written.
toys
Short film · 2:03 · 2026 · written and directed
When a child's wish is overheard by the wrong listener, her imaginary friends
take a different shape.